Guitar Amp Circuit

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100W Guitar Amplifier

Guitar amplifiers are always an interesting challenge. The tone controls, gain and overload characteristics are very individual, and the ideal combination varies from one guitarist to the next, and from one guitar to the next. There is no amp that satisfies everyone's requirements, and this offering is not expected to be an exception. The preamp is now at Revision-A, and although the complete schematic of the new version is not shown below, the fundamental characteristics are not changed - it still has the same tone control "stack" and other controls, but now has a second opamp to reduce output impedance and improve gain characteristics.

One major difference from any "store bought" amplifier is that if you build it yourself, you can modify things to suit your own needs. The ability to experiment is the key to this circuit, which is although presented in complete form, there is every expectation that builders will make modifications to suit themselves. The amp is rated at 100W into a 4 Ohms load, as this is typical of a "combo" type amp with two 8 Ohm speakers in parallel. Alternatively, you can run the amp into a "quad" box (4 x 8 Ohm speakers in series parallel - see Figure 5 in Project 27b, the original article) and will get about 60 Watts. For the really adventurous, 2 quad boxes and the amp head will provide 100W, but will be much louder than the twin. This is a common combination for guitarists, but it does make it hard for the sound guy to bring everything else up to the same level. more info on here

Guitar Amplifier Circuit

This is a medium power guitar amplifier is recommended especially for portable amplifier. The amplifier is a combination between a simple integrated audio driver, LM391-80 and a stage of output power designed contratemps with bipolar transistors.

Thermistor NTC, which is in temperature contact with output power transistors, allows to separate AO LM391 power stage when it heats too much.

The start of the thermal protection is at a NTC flow current NTC of approximately 200uA. Electrolytic condenser asure a “smooth start” to remove clicks that may occur when connecting the amplifier. It can happen that the protection can be too sensitive, in that case certain adjustments are admitted in the value of R4 or thermistor.

The standby current can be adjusted with P1. This potentiometer is initially 0 and then is adjusted to achieve a current of 50mA. Current can be increased up to 400mA if you want low distortions.

The power transistors are placed on the same side of printed circuit board, so that it can be mounted on a heatsink jointly with the thermistor. The heatsink must be large enough and have the thermal resistance of maximum 10K / W.

L1 has 20 turns with 0.8mm emailed copper, coiled over R21. C9 is a ceramic capacitor.

Guitar Amplifier Circuit

Guitar Amplifier Circuit

Guitar pre-amplifier

A preamplifier circuit suitable for high impedance type electric guitar pickups is given here.The circuit is based on a uA 741 op-amp (IC1).The IC1 is wired as a non-inverting amplifier.The POT R1 can be used as a volume controller.The POT R6 can be used as tone controller.The switch S1 is used to produce “brilliant” or “soft” tonal effects.

• Assemble the circuit on a good quality PCB or common board.
• The amplifier can be powered from a 12V battery  or 12V DC power supply.
• Up to 24 V DC can be used to power the circuit.i recommend 12 V DC.
• The IC 1 should be mounted on an IC base 

Circuit Diagram:

Guitar pre-amplifier

Mini Portable Guitar Ampls

This small amplifier was intended to be used in conjunction with an electric guitar to do some low power monitoring, mainly for practice, either via an incorporated small loudspeaker or headphones.

The complete circuit, loudspeaker, batteries, input and output jacks can be encased in a small box having the dimensions of a packet of cigarettes, or it could be fitted also into a real packet of cigarettes like some ready-made units available on the market.

This design can be used in three different ways:

Mini Portable Guitar Amplifier

Max output power: 1.5W @ 9V supply - 8 Ohm load; 60mW @ 3V supply - 8 Ohm load

Frequency response: Flat from 20Hz to 20kHz

Total harmonic distortion @ 100mW output: 0.2%

Max input voltage @ 3V supply: 8mV RMS

Minimum input voltage for Fuzz-box operation: 18mV RMS @ 3V supply

Current consumption @ 400mW and 9V supply: 200mA

Current consumption @ 250mW and 9V supply: 150mA

Current consumption @ 60mW and 3V supply: 80mA

Quiescent current consumption: 6mA @ 9V, 4mA @ 3V supply

Fuzz-box current consumption: 3mA @ 3V supply

Guitar Amps

General Description

This design adopts a well established circuit topology for the power amplifier, using a single-rail supply of about 60V and capacitor-coupling for the speaker(s). The advantages for a guitar amplifier are the very simple circuitry, even for comparatively high power outputs, and a certain built-in degree of loudspeaker protection, due to capacitor C8, preventing the voltage supply to be conveyed into loudspeakers in case of output transistors' failure.

The preamp is powered by the same 60V rails as the power amplifier, allowing to implement a two-transistors gain-block capable of delivering about 20V RMS output. This provides a very high input overload capability.

Features:

Sensitivity:

• 35mV input for 40W 8 Ohm output
• 42mV input for 60W 4 Ohm output

Frequency response:

• 50Hz to 20KHz -0.5dB; -1.5dB @ 
• 40Hz; -3.5dB @ 30Hz Total harmonic distortion @ 1KHz and 8 Ohm load:
• Below 0.1% up to 10W; 0.2% @ 30W

Total harmonic distortion @ 10KHz and 8 Ohm load:

• Below 0.15% up to 10W; 0.3% @ 30W

Total harmonic distortion @ 1KHz and 4 Ohm load:

• Below 0.18% up to 10W; 0.4% @ 60W

Total harmonic distortion @ 10KHz and 4 Ohm load:

• Below 0.3% up to 10W; 0.6% @ 60W

Treble control:

• +9/-16dB @ 1KHz; +12/-24dB @ 10KHz

Brightness control:

• +6.5dB @ 500Hz; +7dB @ 1KHz; +8.5dB @ 10KHz

Bass control:

• -17.5dB @ 100Hz; -26dB @ 50Hz; -28dB @ 40Hz

Circuit Diagram:

Guitar Amps

Parts:

R1__________________6K8    1W Resistor
R2,R4_____________470R   1/4W Resistors
R3__________________2K   1/2W Trimmer Cermet
R5,R6_______________4K7  1/2W Resistors
R7________________220R   1/2W Resistor
R8__________________2K2  1/2W Resistor
R9_________________50K   1/2W Trimmer Cermet
R10________________68K   1/4W Resistor
R11,R12______________R47   4W Wirewound Resistors

C1,C2,C4,C5________47µF   63V Electrolytic Capacitors
C3________________100µF   25V Electrolytic Capacitor
C6_________________33pF   63V Ceramic Capacitor
C7_______________1000µF   50V Electrolytic Capacitor
C8_______________2200µF   63V Electrolytic Capacitor (See Notes)

D1_________________LED    Any type and color
D2________Diode bridge   200V 6A 

Q1,Q2____________BD139    80V 1.5A NPN Transistors
Q3_____________MJ11016   120V 30A NPN Darlington Transistor (See Notes)
Q4_____________MJ11015   120V 30A PNP Darlington Transistor (See Notes)

SW1_______________SPST Mains switch

F1__________________4A Fuse with socket

T1________________220V Primary, 48-50V Secondary 75 to 150VA
                  Mains transformer (See Notes)

PL1_______________Male Mains plug

SPKR______________One or more speakers wired in series or in parallel
                  Total resulting impedance: 8 or 4 Ohm
                  Minimum power handling: 75W

Speakers

So amplifiercircuit will try to do a definition of speakers, are one of the most common output devices used with computer systems. Speakers are transducers that convert electromagnetic waves into sound

waves. The speakers receive audio input from a device such as a computer or an audio receiver. This input may be either in analog or digital form. Analog speakers simply amplify the analog electromagnetic waves into sound waves. Since sound waves are produced in analog form, digital speakers must first convert the digital input to an analog signal, then generate the sound waves. The sound produced by speakers is defined by frequency and amplitude. The frequency determines how high or low the pitch of the sound is. For example, a soprano singer's voice produces high frequency sound waves, while a bass guitar or kick drum generates sounds in the low frequency range. Many speakers include multiple speaker cones for different frequency ranges, which helps produce more accurate sounds for each range. Two-way speakers typically have a tweeter and a mid-range speaker, while three-way speakers have a tweeter, mid-range speaker, and subwoofer.